下面Meeloun小编为大家整理一篇优秀的essay范文– Oil painting of idea，供大家参考学习，这篇论文讨论了意象性油画。意象性油画是当代油画界比较新颖的话语，意象性油画改变了传统的油画审美习惯，更加强调画家的随意性，尊重画家的自身感受，随性发挥描绘身边的人物和风景。意象油画更加强调创作的重要性。意象油画的产生是传统美学精神在油画上的发展和变化，它不简单的是画家主观思维的表现，更是对物象的一种再现。
Imagery scenery oil painting not only painting landscape style, it is through the efforts of several generations of oil painters after oil painting was introduced into China, the Chinese native culture gradually formed under the influence of geographical environment, has a distinctly Chinese culture brand, and it is not simply a kind of grafting, but a manifestation of oil painting scenery in China, the most essential is that it embodies the unique Chinese culture spirit, it is just this form with oil paintings, presents a with Oriental flavor oil painting aesthetic characteristics.
Abstract impressionistic oil painting is a relatively novel discourse in the contemporary oil painting field in recent years. It changes the traditional aesthetic habits of oil painting, emphasizes more on the arbitrariness of painters, respects their own feelings, and depicts people and landscapes around them with the play of nature. Image oil painting emphasizes the importance of creation. Image oil painting is the development and change of Chinese traditional aesthetic spirit in oil painting. It is not simply the expression of subjective thinking of the painter, but also a representation of the image. In the process of creation, it refines the intuitive perception of the aesthetic object, and reaches the state of “constructing the environment by meaning, shaping by meaning, and developing color by meaning”.
Oil painting as an exotic type, in China after one hundred years of development, has been slowly in the Chinese culture region the implementation of the localization, in all aspects of contemporary Chinese oil painting show very strong Chinese cultural spirit, a lot of oil painting landscape works with visible imagery, which is closely related to the traditional culture of China, showing the oil painting landscape features of the context of Chinese culture. Imagery scenery oil painting not only painting landscape style, it is through the efforts of several generations of oil painters after oil painting was introduced into China, the Chinese native culture gradually formed under the influence of geographical environment, has a distinctly Chinese culture brand, and it is not simply a kind of grafting, but a manifestation of oil painting scenery in China, the most essential is that it embodies the unique Chinese culture spirit, it is just this form with oil paintings, presents a with Oriental flavor oil painting aesthetic characteristics. We should clearly recognize that the carrier of impressionistic oil painting is oil painting, and it is a basic level to follow the basic creation rule of oil painting landscape. His subject is impressionism, and he is distinct from western oil painting landscape, in which cultural regionality becomes particularly important. Image oil painting scenery is because of emphasis on regional culture, so we must embody the “heart tour store”, “I’m as a” a kind of mental state, which requires the things we can’t confined to the simulations of a simple, but to be a painter after subjective refining and trade-offs, add the artist’s understanding of the natural scenery and comprehension, to a writing performance of scenery, carefully build images to convey a kind of artistic conception.
The painter is influenced by various factors when creating landscape paintings. The freehand nature advocated in traditional Chinese landscape paintings and the change and taste of brush and ink have a subtle influence on the painter. Under this influence, the painter absorbed the brush and ink usage of traditional Chinese landscape painting, and used oil painting materials to show the painting landscape with the sense of landscape. Image oil painting to write impression, feeling instead of facing the objective object sketch, ignore the depiction of natural scenery, with a kind of between figurative and abstract description technique, emphasizes the subjective emotional expression, stresses the expression of “meaning” is not constrained by “shape” and the “pen”, increase the composition writing, play to the role of the line, apply similar to traditional Chinese painting “point to wipe CunRan”; Abstract on the spatial processing of the picture, absorbing the concept of “plan white as black” of ink and wash painting, leaving large blank or empty space; The treatment of colour is simpler.
Wang keju is an influential contemporary Chinese painter. His early paintings mainly show the mother and son. In recent years, his painting style has changed gradually. His landscape paintings have strong northern color and strong qilu cultural characteristics. His works mainly focus on farmland, trees and rural scenery, and pursue simplicity and nature. His paintings are strongly calligraphic, drawing nourishment from Chinese calligraphy and emphasizing brushwork, artistic conception and breath. His colors are very exaggerated. He finds inspiration from traditional farmer paintings, and his bold and exaggerated expression techniques are expressed freely in his works.
The forming factors of the painter’s style are various, such as environment, hobby, cultivation, etc. Wang keju’s direct expression form is inseparable from traditional folk art. With bright colors and almost crazy brush strokes, we can feel the passion of the painter and the impulsion of the painter in the face of nature. Pictures and paper-cutting in folk art is an important part of the north, are woodcut New Year pictures, high-density ash pictures, high-density paper-cut is representative folk art form of qilu culture, New Year paintings works form rich in content, main performance in the New Year, marriage customs, such as subject matter, also including the legend of classical allusions, festive and auspicious and landscape flowers, these works represent the farmers look forward to the good wishes of happiness. Folk New Year pictures have formed their own artistic characteristics in the long-term development. Their techniques are summarized and concise. They embody the theme with symbolic and implied expression. Paper-cut art is a form of folk art in the north of China, its long-term existence of folk, and with the development of The Times there have been some new form of performance, the performance of the paper-cut art more than content with animals and plants is given priority to, paper-cut appeared in the Chinese lunar festival customs, more people use paper-cut to express the heart of joy and desire, symbolization technique of expression, with a strong symbolic significance.
MAO daizong is a representative figure of image painting. His paintings often show the effects of flat landscapes and combine the composition and expression techniques of Chinese landscape painting skillfully. His paintings do not have the specific time and place in traditional landscape paintings, and the painter expresses his emotions between the likeness and the unlikeness. The essence of maodong painting is to absorb nutrition in their parent culture and find a better fusion point to try. His oil paintings reveal the language form of eastern style and present a style appearance with the spirit of Chinese landscape. This style is different from the objectivity of western oil paintings. At the same time, it also makes a distance from subjective performance, respects nature, feels with heart, and establishes the ideal home in the heart. The space in the picture is the subjective illusion space, is the visual psychological space, the picture gets rid of the realistic situation, directly reflects the spiritual scene.
Oil painting as an a young type in our country, completely copy the western oil painting system and aesthetic standards, will not have big development in China, the western oil painting after hundreds of years of development, has formed a complete system of art, any kind of art in different soil must be combined with local culture to a breakthrough, oil painting is only found in the eastern culture in the soil of nutrition, to form the Oriental cultural spirit of Chinese oil painting.